cover credit: Hatchette Book Group |
The Realm of Hungry
Spirits by Lorraine Lopez
Grand Central
Publishing (2011)
Review by Nicole
Bartley
The Realm of Hungry Spirits by Lorraine Lopez is an overwhelming
search for personal peace, for both characters and readers. Lopez drops readers
into the main character’s varied and complex life, and readers will be
compelled to learn how the drama unfolds and resolves—all in the span of two
weeks. They may also reach for a bottle of wine just to tolerate the stress.
Marina Lucero is a
middle-aged teacher who opens her home to friends and family members in need of
shelter. Her unstable life becomes overrun with their troubles, such as her
friend Carlotta who flees from an abusive husband, her nephew Kiko who is kicked
out of his house, her little sister’s ex-fiancé Reggie who is grieving from
their recent breakup and living with Marina for the time being, and her
well-meaning but dimwitted ex-boyfriend Rudy and his blackmailing friend. Everyone
turns to Marina because she is intelligent, reliable, and giving. To relieve
her chaotic life, she relies on teachings from the Dalai Lama and
Gandhi—teachings that play heavily into the overall plot.
But Marina—despite her
good intentions, responsibility, propensity to care too much, and lofty
spiritual goals—is an unreliable narrator amongst many unreliable characters.
Her emotions can flip at least three times in one page, and she is subject more
to rage and pheromones than the rationality she attempts to wield. Her
loneliness gets the better of her more often than not, and readers are left
wondering how one so intelligent can lack emotional follow-through.
Luckily, Lopez is deft
at making readers quickly sympathize with Marina’s plight. From the first
chapter, readers are bombarded with Marina’s troubles in order to quickly
understand her anger, annoyance, and exhaustion: Her nephew starts a rap band
one morning and by the evening, he’s acquired a small dog to train for fights
and claims it’s his calling; a neighbor’s sister asks Marina to help her pack
belongings but is caught in the act of trying to rob a former married lover; Marina’s
younger sister dates and seduces anyone who might seem financially well-off; and
an ex-boyfriend’s best friend threatens spiritual curses if Marina doesn’t
follow the friend’s instructions concerning his custody deposition. The tribulations
quickly pile atop Marina, and it’s a wonder she manages to keep everything in
line.
Through numerous extreme
situations and their resolutions, Lopez shows that everyone should be accepted
and forgiven, despite their flaws. This, in the end, is the main lesson of the
book: to recognize similarities, not differences, in others and accept them. This
Buddhist method of compassion has a Christian correspondence: “God grant me the
serenity to accept what I cannot change, the courage to change the things I
can, and the wisdom to know the difference.”
For example, when
Marina’s harsh words about another man backfire, they open her eyes to one of the
Dalai Lama’s true meanings behind his teachings. Lopez writes:
“I nod, my cheeks suffusing with heat. The Dalai Lama’s gentle face appears in my mind’s eye, his expression sharpening into disapproval, even disgust. Compassion, he writes, is built upon connections forged through recognizing similarities, not by fixating on differences and holding in contempt those who are different, as if they are lower than the self” (122-123).
Throughout the story,
Marina seeks like minded people who are intelligent, responsible, and clean.
Those who don’t fit these traits are usually met with consternation and
impatience. It takes a small family to make her realize she’s been looking at
compassion with the wrong perspective. She doesn’t often recognize the good in
people around her until they shove it in her face. The passage above is a
subtle turning point in the story—a eureka moment for her.
Although Marina’s
internal world grounds the story, readers unfamiliar with Los Angeles may feel
lost amidst the geographical references and the consistent use of Spanish in
both narration and dialogue. They may
also wonder if life is really how she depicts it: poverty results in insanity
and promiscuity, most men are too lazy to be responsible for anything, and most
uneducated women are weak, selfish, and manipulative. It’s not a pretty
rendering. Yet, most of the characters exhibit a moment of pure humanity, such
as when an abusive husband reveals intense love and stand-offish teenagers show compulsions to please. If readers substitute their own
neighborhoods for the one in Lopez’s novel, they might recognize themselves or
the people around them. This returns readers to the aforementioned passage;
there is always something that connects us to everyone else, and we must
recognize that similarity and feed it in order to gain peace.
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